The life and travels of adventurer Naomi Uemura, who disappeared in Alaska in 1984. A member of the first Japanese expedition to reach the summit of Mt Everest in 1970, Uemura also accomplished several "firsts". He was the first man to reach the North Pole solo, climb Denali solo, and float down the Amazon river solo. In the film, Uemura returns to Tokyo after a stint in Siorapaluk in Northern Greenland. In Tokyo, he reconnects with an old friend and, over coffee, shares his life story - from his days as a college dropout to his successful expedition to the top of Everest.

The first man to train or imprint Canada geese goslings using a radio-controlled model airplane is documented in this award-winning film that thrills audiences with the first shots of the geese taken from a camera mounted on that airplane.

While being pursued by the U.S. Cavalry, Indians and the white family they have kidnapped learn about each other.

Jim Wallace, a young engineer, is engaged by Hammond, manager of an estate in the Northwest, to build flumes for a logging camp, but Donovan, the superintendent, dislikes him and places numerous obstacles in his way. Virginia Coulson, owner of the estate, and her maid Dot arrive, and when Hammond proposes to Virginia, she refuses his declaration in favor of Jim. Later, when Donovan is found murdered, suspicion points to Jim, who is convicted and sentenced to life imprisonment. Hammond gets evidence on the murderer, Goofus, a half wit, and plans to use it to force Virginia to marry him; Goofus wounds Hammond and, seeing he has not killed him, starts a forest fire. Jim, who has escaped from prison with the aid of his friend, Buddy, rescues Virginia from the burning lodge; Goofus confesses to the murder, and Jim is freed.

Gaurav is a gay man, brought up in a conventional, urban upper-middle class Indian family, feeling lonely and empty without companionship and peer acceptance. Obsession with male-chauvinism entails the boys in his world, to bloat even about crimes, but no man would ever commit even to his closest pal, if he were gay. Gaurav's heart longs for a soul-mate, until one day - a proverbial tall, dark, handsome hunk Anurag walks into the classroom.

Kidnapped and abandoned in the Utah desert, a group of troubled boys are forced into a ruthless "Wilderness Therapy" program. Cut off from the world, they must survive both the elements and the mind games of a director who may not be trying to save them at all.

An adaptation of Jesus' life, the film mixes real and imaginary characters, biblical and historical references, to present two worlds condemned to coexist.

Nature is our common impressional and biological ancestor. Its history is now, an open book of essences which we have largely, through the intervention of the industrial state, forgotten how to read. This film is a return to immanence, a restorative immersion, and does what film is best at: inducing a mood of informative ecstasy.

Framed by the tranquil beauty of a forest near Berlin, Khatia Buniatishvili gives a recital of pianistic masterpieces dappled by the shade of verdant ferns and leafy canopies. As a special treat, her older sister Gvantsa joins her for four-handed works by Dvořák, Brahms, and Piazzolla. Described as a “force of nature”, Georgian pianist Khatia Buniatishvili takes her art into the wilderness with this concert. On a wooden stage, she sits in an earthy concert hall performing works of particular meaning for her, and beloved by audiences the world over. From Debussy’s Clair de Lune to Ravel’s La Valse, from Stravinsky’s Petrushka to Piazzolla’s Improvisations on Libertango, Buniatishvili demonstrates her wide palette of expression and lyric approach to her instrument. Interspersed with the music are intimate interviews of the artist herself in which she discusses on her musical upbringing, her career, and her impressions of the pieces she has chosen to include in the program.

Czechoslovak drama film about soldiers returning from World War II